I’ve frequently told young actors who have come to me for advice, ‘Do your acting in your head and forget about your body. Still, Lon Chaney knew the value of maintaining his myth.

Handkerchief hems were popular in the 1910-1920’s and it was seen in Ancient Greece. So it was that when Lon Chaney (1883–1930) arrived in New York City in September 1923 for the Grand Premiere of The Hunchback of Notre Dame he agreed to be interviewed by Movie Weekly magazine. With the added marquee value of the name "Lon Chaney Jr.," the young actor at last saw a degree of success.

Beside those  issues, the robe features  the signature 1923 hemline and the shoes. As recounted in a profile for PBS' American Masters, Chaney was once caught placing fallen baby birds back in their nest. Enter your email address and click “Subscribe”: When the reclusive actor known as “The Man of a Thousand Faces,” aka “The Man of Mystery,” grants an interview about his latest film, chances are that he’s considerably invested in it. The end. In a 1991 interview with Patsy Ruth Miller, The Hunchback of Notre Dame's Esmerelda, the actress conjectured that pain was part of Chaney's process. While shooting the railroad melodrama Thunder on location in frigid Green Bay, Wisconsin, in March 1929, Lon Chaney caught a severe cold. So it was that when Lon Chaney (1883, Lon had optioned the film rights to the Victor Hugo novel in June 1921, then proceeded with the tough job of obtaining financial backing.

He had his own idea for the choice of director, the talented Frank Borzage, but Universal wanted more of a craftsman than an artist and assigned the reliable Wallace Worsley. To create Erik's deathly appearance, Chaney employed a combination of techniques, including traditional highlighting and shading with greasepaint and the cotton and collodion method he used to sculpt Quasimodo's features in The Hunchback of Notre Dame. In a deleted scene from the movie, Quasimodo trades candles for clothing for Esmeralda to wear. It also caused the actor considerable pain, intense lower back strain, and broken blood vessels. Lon Chaney was a genius. Although he was never cast as a lead in his early, uncredited work, Chaney often played featured parts that showcased his unique skills.

Night filming during the winter months of ’23, even in southern California, was particularly arduous but the money really shows on the screen. Esmeralda’s normal gypsy costume is based on a 1891 illustration. Chaney also employed false teeth and a wig.

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I’ve frequently told young actors who have come to me for advice, ‘Do your acting in your head and forget about your body. Still, Lon Chaney knew the value of maintaining his myth.

Handkerchief hems were popular in the 1910-1920’s and it was seen in Ancient Greece. So it was that when Lon Chaney (1883–1930) arrived in New York City in September 1923 for the Grand Premiere of The Hunchback of Notre Dame he agreed to be interviewed by Movie Weekly magazine. With the added marquee value of the name "Lon Chaney Jr.," the young actor at last saw a degree of success.

Beside those  issues, the robe features  the signature 1923 hemline and the shoes. As recounted in a profile for PBS' American Masters, Chaney was once caught placing fallen baby birds back in their nest. Enter your email address and click “Subscribe”: When the reclusive actor known as “The Man of a Thousand Faces,” aka “The Man of Mystery,” grants an interview about his latest film, chances are that he’s considerably invested in it. The end. In a 1991 interview with Patsy Ruth Miller, The Hunchback of Notre Dame's Esmerelda, the actress conjectured that pain was part of Chaney's process. While shooting the railroad melodrama Thunder on location in frigid Green Bay, Wisconsin, in March 1929, Lon Chaney caught a severe cold. So it was that when Lon Chaney (1883, Lon had optioned the film rights to the Victor Hugo novel in June 1921, then proceeded with the tough job of obtaining financial backing.

He had his own idea for the choice of director, the talented Frank Borzage, but Universal wanted more of a craftsman than an artist and assigned the reliable Wallace Worsley. To create Erik's deathly appearance, Chaney employed a combination of techniques, including traditional highlighting and shading with greasepaint and the cotton and collodion method he used to sculpt Quasimodo's features in The Hunchback of Notre Dame. In a deleted scene from the movie, Quasimodo trades candles for clothing for Esmeralda to wear. It also caused the actor considerable pain, intense lower back strain, and broken blood vessels. Lon Chaney was a genius. Although he was never cast as a lead in his early, uncredited work, Chaney often played featured parts that showcased his unique skills.

Night filming during the winter months of ’23, even in southern California, was particularly arduous but the money really shows on the screen. Esmeralda’s normal gypsy costume is based on a 1891 illustration. Chaney also employed false teeth and a wig.

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lon chaney hunchback of notre dame makeup

However the worse offender of the 1920 style in a costume is Marie’s. Hewing closely to Leroux's description, Chaney's Phantom is cadaverous and ghastly, with hollow eyes, ruined nose, and a mouth pulled into a skull-like rictus. I learned how to make scary faces from looking at Lon Chaney. As Chaney biographer Michael F. Blakes writes in his 1993 book Lon Chaney: The Man Behind the Thousand Faces, Chaney left his job as a wallpaper hanger and became a full-time stagehand at the Colorado Springs Opera House. Lon Chaney's ability to radically transform himself for any role no matter how bizarre or grotesque made him a household name. Dedicated makeup departments were unheard-of until 1917. In one of his most celebrated roles, Lon Chaney starred as a legless criminal mastermind in The Penalty. Dust jacket from the Victor Hugo novel, colorized by Robert M. Fells.

Unable to continue in the marriage, Lon Chaney filed for divorce, citing his wife's infidelity, alcohol abuse, and unfitness as a mother.

The Costumes in the 1923 version of Hunchback are for the most part good. After The Hunchback of Notre Dame’s success, Chaney was one of Hollywood’s most popular stars. Patsy Ruth Miller as Esmeralda 1923 Hunchback of Notre Dame. But all the plans came to nought. Even accounting for studio hyperbole the statistics are impressive: 2,000 extras, 200 costume makers, 230 electricians, seven generators, five miles of cable, and 700 big lights for the night scenes. He was 47 years old. It also had straps at the shoulders that attached to the belt to keep Chaney in a hunch position. Based on a 1914 play, The Miracle Man features Chaney as Frog, a criminal capable of twisting his body to appear crippled. Claims would be made through the years that Chaney wore a 70-pound rubber hump but in fact he designed a plaster one that weighed at most 20 pounds.

Quasimodo was just what he appeared to be, not somebody’s illusion or bad dream. An eye wart constructed with adhesive tape and nose putty and cut down cigar holders inserted in his nostrils completed the disturbing look.

Specializing in villainous, misshapen, or macabre roles, Chaney quickly gained a reputation as a solid character actor with a special talent for makeup.

As Quasimodo, the grotesquely deformed bell ringer, Chaney underwent a grueling three-hour process to apply the elaborate makeup, which included a 20-pound plaster hump attached with a leather harness which prevented him from standing erect. Photo colorized by Robert M. Fells. Colodium is a skin sealer.

He gets a robe or a “dressing gown” that has a fur trim and looks to be made of velvet with a satin belt. If you think the man you are playing, you’ll be that man. Everyone thinks I am so hard-boiled! This also allowed Chaney to reuse the cheeks for a few day with minimal effort. However, he would find his greatest fame as reluctant werewolf Lawrence Talbot in Universal's 1941 horror film The Wolf Man, kicking off a long career in the studio's beloved monster films. I don’t think the Quasimodo’s look has aged as well as  the Phantom’s make-up but Chaney did help solidify movie make-up and set a precedent for the look of future Quasimodos so I do give kudos to the make-up in this version. Lon Chaney as Quasimodo 1923 Hunchback of Notre Dame Lon Chaney was a genius with make-up.

When I found that magazine, I thought it was a gift from the gods. However, the modern consensus, backed by the account of cinematographer Charles Van Enger as cited by author David J. Skal in his book The Monster Show, is that the actor used a contoured wire appliance concealed by putty and makeup to lift and flare his nostrils. Chaney had optioned the rights to Victor Hugo's novel and had been trying to secure funding long before the project wound up at Universal. At last free from Universal, Chaney, with a proven body of work and his unequalled makeup skills, was able to negotiate his own rate. However, he didn't consider acting a serious career option until some time later. The Costumes were  supervised by Gordon Magee, that they only costume credit I found. Lon spoke of his deaf parents and his early days in the trade of laying carpets.

"I revere him. So what did Lon Chaney have to say about The Hunchback of Notre Dame? Universal kept Chaney's horrifying new creation under wraps, barring the release of photographs of the actor in makeup until the film's premiere. Chaney as Quasimodo in The Hunchback of Notre Dame (1923). Creighton, born Frances Cleveland Creighton, was a 16-year-old singer hoping to land a job as an entertainer with the company with which Chaney was touring. "My introduction to Lon Chaney came about because of Famous Monsters of Filmland Magazine," Baker told Turner Classic Movies. Marie actually has two costumes but they’re very similar. It seemed partly an historical melodrama with plenty of pageantry, and partly a horror film (though that term had not yet been coined). The famed actor could be anywhere, perhaps standing right beside you, and you'd never know it. I am mesmerised by him," Jones says. He managed to secure three different proposals, the most ambitious of which would make the film in Europe and under the direction of Alan Crosland (, Lon spoke of his deaf parents and his early days in the trade of laying carpets.

I’ve frequently told young actors who have come to me for advice, ‘Do your acting in your head and forget about your body. Still, Lon Chaney knew the value of maintaining his myth.

Handkerchief hems were popular in the 1910-1920’s and it was seen in Ancient Greece. So it was that when Lon Chaney (1883–1930) arrived in New York City in September 1923 for the Grand Premiere of The Hunchback of Notre Dame he agreed to be interviewed by Movie Weekly magazine. With the added marquee value of the name "Lon Chaney Jr.," the young actor at last saw a degree of success.

Beside those  issues, the robe features  the signature 1923 hemline and the shoes. As recounted in a profile for PBS' American Masters, Chaney was once caught placing fallen baby birds back in their nest. Enter your email address and click “Subscribe”: When the reclusive actor known as “The Man of a Thousand Faces,” aka “The Man of Mystery,” grants an interview about his latest film, chances are that he’s considerably invested in it. The end. In a 1991 interview with Patsy Ruth Miller, The Hunchback of Notre Dame's Esmerelda, the actress conjectured that pain was part of Chaney's process. While shooting the railroad melodrama Thunder on location in frigid Green Bay, Wisconsin, in March 1929, Lon Chaney caught a severe cold. So it was that when Lon Chaney (1883, Lon had optioned the film rights to the Victor Hugo novel in June 1921, then proceeded with the tough job of obtaining financial backing.

He had his own idea for the choice of director, the talented Frank Borzage, but Universal wanted more of a craftsman than an artist and assigned the reliable Wallace Worsley. To create Erik's deathly appearance, Chaney employed a combination of techniques, including traditional highlighting and shading with greasepaint and the cotton and collodion method he used to sculpt Quasimodo's features in The Hunchback of Notre Dame. In a deleted scene from the movie, Quasimodo trades candles for clothing for Esmeralda to wear. It also caused the actor considerable pain, intense lower back strain, and broken blood vessels. Lon Chaney was a genius. Although he was never cast as a lead in his early, uncredited work, Chaney often played featured parts that showcased his unique skills.

Night filming during the winter months of ’23, even in southern California, was particularly arduous but the money really shows on the screen. Esmeralda’s normal gypsy costume is based on a 1891 illustration. Chaney also employed false teeth and a wig.

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